University of L'Aquila

CRUI.UNIVAQ

63 Works

From anamorphosis to vision: “3D Sidewalk Chalk Art”

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https://doi.org/10.20365/disegnarecon.24.2020.1 Cite

Designing art in the city between ethics and creativity

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https://doi.org/10.20365/disegnarecon.24.2020.16 Cite

Street Art: Institutions, art and urban management in Brazil and Canada

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https://doi.org/10.20365/disegnarecon.24.2020.7 Cite

Art on the walls of the city: interview with the artist Kristin Jones

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https://doi.org/10.20365/disegnarecon.24.2020.i1 Cite

Drawing on the walls from architecture to street art. Interview with “MILLO” the street artist architect

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https://doi.org/10.20365/disegnarecon.24.2020.i5 Cite

The virtual reconstruction of the historic districts of Shanghai European identity in traditional Chinese architecture

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https://doi.org/10.20365/disegnarecon.25.2020.18 Cite

Domes in the central Mediterranean. Geometric syncretism and cultural hybridizations

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https://doi.org/10.20365/disegnarecon.25.2020.10 Cite

disegnare con... Mario Bellini

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https://doi.org/10.20365/disegnarecon.25.2020.dw2 Cite

Baghdad; City of Cultural Heritage and Monumental Islamic Architecture

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https://doi.org/10.20365/disegnarecon.25.2020.14 Cite

Marabout: architecture of contemplation

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https://doi.org/10.20365/disegnarecon.25.2020.5 Cite

Advanced Technologies for Historical Cities Visualization

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https://doi.org/10.20365/disegnarecon.21.2018.ed Cite

The compositional model of Santo Domingo and Cartagena fortifica¬tions between old and new world

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https://doi.org/10.20365/disegnarecon.25.2020.22 Cite

Drawing the places through street art. The case study of Furore “painted village”

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https://doi.org/10.20365/disegnarecon.24.2020.22 Cite

Urban and community renaissance in the Caserta area: the “arts village” of Valogno

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https://doi.org/10.20365/disegnarecon.24.2020.4 Cite

disegnare con... Antonio Almagro Gorbea

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https://doi.org/10.20365/disegnarecon.24.2020.dw Cite

National and globalization features in sculptural, pictorial and font compositions of modern street art in Ukraine

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https://doi.org/10.20365/disegnarecon.24.2020.13 Cite

Drawing on the Walls: Graffiti, Street Art or Walls in Time. Analysis of the Torrevieja Experience

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https://doi.org/10.20365/disegnarecon.24.2020.12 Cite

The visual culture of the images of the revolt (1968/1977)

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https://doi.org/10.20365/disegnarecon.24.2020.8 Cite

Ghadames (Libya). Surveying Data for a reconstructive proposal of the ruins locally known as “el-Asnam”, the Idols

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https://doi.org/10.20365/disegnarecon.25.2020.2 Cite

Paolo Cuneo: insatiable researcher, shrewd scholar, impassioned teacher

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https://doi.org/10.20365/disegnarecon.25.2020.ed1 Cite

The gate/door as a border. Forms and types in Chinese villages

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https://doi.org/10.20365/disegnarecon.25.2020.20 Cite

The Rock-hewn Churches of Tǝgray (Ethiopia): New Studies in Qwälla and Dǝggwǝʽa Tämben and Säḥarti Samre districts. A Trip Report

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https://doi.org/10.20365/disegnarecon.25.2020.4 Cite

Patterns of physical form of a Malay-rooted Urbanism in historical Melaka

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https://doi.org/10.20365/disegnarecon.25.2020.21 Cite

The T.R.U.St Project: A Street Art Experience in Taranto

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https://doi.org/10.20365/disegnarecon.24.2020.27 Cite

Street art. A methodology for coding a heterogeneous language

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https://doi.org/10.20365/disegnarecon.24.2020.6 Cite

Registration Year

  • 2021
    29
  • 2020
    34

Resource Types

  • Text
    63

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