287 Works

Jazz et écriture : relecture de Beloved de Toni Morrison

Catherine Chauche
[recension d'ouvrage]

Le malentendu dans l’Essai sur l’origine des langues de Rousseau

Jonathan Teschner

« A country called Dissocia »: Anthony Neilson’s Heterotopian Exploration of Madness

Diane Gagneret

Prendre au pied de la lettre les métaphores spatiales dans House of Leaves et Luminous Airplanes : arpenter le labyrinthe textuel

Gaëlle Debeaux

Francisco Gil Craviotto : El oratorio de las lágrimas

Sylvie Schertenlieb

Representing the Irish in the United States

Amélie Dochy
Erskine Nicol (1825-1904) was a Scottish painter whose pictures were mainly devoted to the representations of Ireland and the Irish, as can be seen with The Legacy also called Good News, which today is preserved in the Museum of Fine Arts of Boston. Nicol became popular in the United Kingdom in the 1850s: his artworks were sold and exhibited in Great Britain as well as in Ireland, and they were also shown in the United...

From Tralee to Times Square

Daithí Kearney
America has been a significant (market)place for Irish traditional music throughout the twentieth century to the present. From the early recordings of Michael Coleman and his contemporaries in the 1920s through the emergence of the Clancy Brothers in the 1960s to the leading roles of Michael Flatley and Jean Butler in the 1994 production Riverdance, musical developments on both sides of the Atlantic have been interlinked and two-directional.1 The Irish American audience continues to be...

Cruce de miradas en el cine mexicano contemporáneo: la adolescencia femenina entre tensión melodramática y efecto trágico

Antoine Rodriguez

Le cinéma à Séville à travers la presse locale (1914-1918)

Emmanuel Le Vagueresse

Les émotions politiques dans les dessins d’Eneko à Madrid en 2011

François Malveille

Quel temps fait-il sur les grandes plaines ? Essai d’écocritique des romans de John Steinbeck

Martine Tabeaud & Alexis Metzger

La fabrique du malentendu dans les procès du Goulag : lecture du Météorologue d’Olivier Rolin

Ngadi Laude

Fenêtre sur le festival de Biarritz

Françoise Heitz

Loreak (2014). Un espace inédit de « malentendu » au cinéma

Françoise Heitz

La politisation du religieux en modernité, de Nathalie Caron et Guillaume Marche

Frédéric Gugelot

Fenêtre sur le festival de Biarritz

Françoise Heitz & Audrey Louyer

Platero y yo, un livre pour adultes ? Une approche d’un malentendu de réception

Virginie Giuliana

Introduction

Emilia Hilgert , Véronique Le Ru & Machteld Meulleman

Maite Méndez Baiges (ed.), “Arte escrita. Texto, imagen y género en el arte contemporáneo”

José Luis Plaza Chillón

Saber trágico y sensibilidad melodramática Consideraciones preliminares y enfoques latinoamericanos

Hermann Herlinghaus

Le mélodrame ou le rapt de l’Histoire El secreto de sus ojos (Juan José Campanella, 2009)

Bénédicte Brémard

Coïncidences de soi : l’autobiographique par mégarde dans Histoire de l’œil de Bataille

Rodolphe Perez

Aimer et le dire

Nathalie Frogneux
How to speak about love even today? How to tell this experience in first person that nobody can avoid? If literature and poetry clearly describe better the meanders and the richness of the feelings of love than philosophy, the latter can clarify what such a broad notion covers. However, it must avoid two pitfalls, technicality and cynicism, which risk destroying its object, and make itself available to the elucidation of the forms of love in...

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