Embodying the postcolonial perverse: mestizXXX sadomasochist performance methodologies

Migueltzinta Solís
This paper is not intended as either a survey of performance and perversity nor as an argumentation for any particularly new theory of performance. Rather it is me offering my methodologies, influences and thoughts as a trans mestizXXX perverse performance artist living and working in an actively postcolonial moment. It is, in part, an act of resistance toward the move to commodify performance’s important ephemerality and ineffability into institutionally digestible historicity and study-ability within academic...
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