Identifying a queer aesthetic in amateur video manipulations of Disney content as part of a utopian visualisation of lesbian desires

Isabella Macleod
In traditional applications of queer theory onto the cinematic medium, reading the subtext as a spectator becomes the main way in which queerness can be uncovered within past texts that might at first glance be considered part of the heteronormative sphere. However, I intend to upend this notion by foregrounding the work being done by online video editors to reformulate one of the more traditional culture makers; Disney, through a re-contextualisation of their animated canon...
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