Un genere commerciale. L’origine del teen movie come terreno di exploitation

Stefano Guerini Rocco
The aim of this paper is to address the ontology of the teen movie genre as the product of the interaction between process of production and consumption. In fact, more than other cinematographic genres, the teen movie seems to be a chiefly commercial one: to effectively understand its origin and its development, it is crucial to investigate the relationship between the production practices of American film industry and the cultural habits of cinematic audiences. Analyzing...
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