La traición como una síntesis dialéctica negativa en El apando de José Revueltas y Felipe Cazals

Yunuen Gómez Ocampo
pp. 118-130. The short novel El Apando by Mexican writer José Revueltas, and its film adaptation by Felipe Cazals, very closely share aesthetic and ethical stances. The former serves as the plot basis for the latter, while the latter is the visual and explosive representation of the former. Both works communicate with each other naturally, expressing the anxiety of human existence. In this paper, I analyze two symbolic elements –strongly visual– that, through the plot,...
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