“Każdy ją przynajmniej raz widziała”

Agnieszka Wanicka
The aim of the article is to investigate the relations between the colour pink and the performative representations of vaginas based on the examples of two performances, Malina and Have a Good Cry. The author claims that the subversive interception of these characteristic emblems of femininity accelerates the process of rebuilding and redefining the female identity. Referring to Elizabeth Grosz’s project of corporeal feminism, the author analyses the process of reclaiming the vagina both as...
This data repository is not currently reporting usage information. For information on how your repository can submit usage information, please see our documentation.