Away from end product or genre: a protocol as artistic language: evolving a critical framework for contemporary visual art practice in the public (or social) realm, 2000-2003

Stéfanie Bourne
For contemporary visual art to be visible and exist as art in peer networks it usually depends upon its transformation into objects. Can we define and test out an alternative visibility more adequate to a production that is 'an act of supplying'? I propose a method to help us understand the artwork, not as a one-off object, but as 'an experience of supply', through the construction of a specific artistic protocol. Process based works "in...
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