Los que son y no son: percorsi di identità (so)nate nella Cuba della seconda metà del XIX secolo e inizi del XX

Irene Campagna
The son is configured into the orbit of Cuban popular music as the mulatto music genre par excellence, thanks to the amalgam of musical elements and structural features of Spanish and African origins.
In its heyday - when are defined new modes of interpretation and new sonic possibilities - shares political and cultural unrest of vanguards that, through the recognition of the African component, try to build a coherent concept of nation, highlighting the contribution of...
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