Del cimarrón Esteban a la intelectual Georgina. Notas sobre la evolución del género testimonial negro en Cuba

Irina Bajini
Starting from a due reflection on Miguel Barnet’s Cimarrón as the first experiment on a testimony-novel – and considering the problems and contradictions of a cultural and political operation in which the witness-informant’s voice risks being overcome or at least misinterpreted by the author-transcriber – this paper goes on to consider the evolution of the testimony genre in 1990s Cuba, where women of African descent often intervened by speaking or writing, and managed to impose...
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