457,612 Works

Ayangde Guer (The Orphan of Anyang) und der postsozialistische Realismus der Sechsten Generation

Guido Kirsten
Text published 2011 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-55036 Cite

Ausbau, Krise und Neukonzeption der katholischen Filmarbeit (1941-1972)

Adrian Gerber
Text published 2011 via Theologischer Verlag Zürich, TVZ
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-61592 Cite

Performing Ethnicity: The Video Artist Shyaporn Theerakulstit

Natalie Boehler
Text published 2011 via Schweizerische Asiengesellschaft / Verlag Peter Lang
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-57259 Cite

Mediale Ordnungen der Gleichzeitigkeit. Der Realismus der filmischen Objekte

Margrit Tröhler
Text published 2011 via Wilhelm Fink Verlag
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-56971 Cite

Rezension zu Thomas Schölderles Geschichte der Utopie. Eine Einführung

Simon Spiegel
Text published 2012 via University of Zurich
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-66297 Cite

Dichotomie der Form. Perspektive und Fläche in MANHATTA

Evelyn Echle
Text published 2011 via Gesellschaft für Theorie & Geschichte audiovisueller Kommunikation
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-59777 Cite

Pluralistische Utopien. Review of Judith Leiss: "Inszenierungen des Widerstreits. Die Heterotopie als postmodernistisches Subgenre der Utopie

Simon Spiegel
Text published 2012 via IASLonline
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-66299 Cite

Rezension : Cinema Indochina by Beate Weghofer

Natalie Boehler
Text published 2012 via Schüren Verlag
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-67040 Cite

Die Poesie bewegten Sandes - Die Sandanimationen von Gisèle und Nag Ansorge

Eva Küttel
Text published 2011 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-55977 Cite

Der Sport ist der natürliche Feind der Serie. Ein Interview mit Michel Bodmer, dem Leiter der Redaktion Film und Serien beim Schweizer Fernsehen

Julia Zutavern & Michel Bodmer
Text published 2011 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-57017 Cite

Rezension zu Joseph Garncarz, Masslose Unterhaltung. Zur Etablierung des Films in Deutschland 1896-1914

Wolfgang Fuhrmann
Text published 2011 via CineGraph Babelsberg. Berlin-Brandenburgisches Centrum für Filmforschung e.V.
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-59232 Cite

Ein anderes Wissen: Wie an vom Kino etwas über die Psychoanalyse erfahren kann

Veronika Rall
Text published 2011 via Gemeinschaftswerk der Evangelischen Publizistik e.V.
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-56100 Cite

Animated canons. The canons of animation between the East and the West

E Benecchi, Chen Chwen Chwen & Vincenzo De Masi
Text published 2011 via Forum Editrice
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-56083 Cite

Bild des Monats Juni 2012: Rapsodia Satanica (Nino Oxilia, I 1917)

Mattia Lento
Text published 2012 via Schweizerischer Nationalfonds
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-66683 Cite

Bunte Körper auf Schwarz-Weiss. Flächigkeit und Plastizität im Farbfilm um 1900

Jelena Rakin
Text published 2011 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-56090 Cite

Der Plakatfund aus dem Kino Radium in Zürich: Filmplakate der Jahre 1907 bis 1914 und weitere Materialien

Adrian Gerber & Andreas Motschi
Text published 2011 via Stadt Zürich, Hochbaudepartement, Amt für Städtebau
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-61590 Cite

Rezension zu: Ringler, Mathias J., Die Digitalisierung Hollywoods. Zu Kohärenz von Ökonomie-, Technik- und Ästhetikgeschichte und der Rolle von Industrial Light&Magic

Franziska Heller
Text published 2011 via Schüren Verlag
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-57129 Cite

Review of: Emotionen in Literatur und Film, by Poppe, Sandra (editor), published by Königshausen & Neuman, Würzburg

Tereza Fischer-Smid
Text published 2012 via Schüren Verlag
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-67283 Cite

Filmische Atmosphären

S.N.
Text published 2012 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-67034 Cite

Stillstand im Bewegungsbild: Intermediale Beziehungen zwischen Film und Tableaux vivants um 1900

Daniel Wiegand
Text published 2011 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-57012 Cite

Contemporary Thai film and its roots in Thai cultural traditions

Natalie Boehler
Text published 2011 via Chulalongkorn University Printing House
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-57201 Cite

Hier ist Anderswo - territoriale Grenzen im Film: imaginäre Topografien geopolitischer Wirklichkeiten

Katharina Klung
Text published 2012 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-66241 Cite

Vom Tropfen zur Sphäre. Regen und seine filmisch atmosphärischen Qualitäten

Franziska Heller
Text published 2012 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-66995 Cite

Rezension zu: Markus Kuhn, Filmnarratologie. Ein erzähltheoretisches Analysemodell

Guido Kirsten
Text published 2011 via NCCR Mediality
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-55085 Cite

Entgrenzte Stimmungsräume. Atmosphärische Funktionen filmischer Unschärfe

Tereza Smid
Text published 2012 via Schüren
No citations were reported. No usage information was reported.
https://doi.org/10.5167/uzh-67268 Cite

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