24 Works

A Forgotten Heritage: Arias and Scenes from Earlier American Operas

Ziegel, Aaron Dr.
This selection of recordings presents six arias and scenes excerpted from Romantic-era American operas performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. Each number is a representative highlight drawn from little-known and undeservedly forgotten contributions to the early operatic heritage of the United States. Arias from Arthur Clifton’s The Enterprise and George F. Bristow’s Rip Van Winkle illustrate 19th-century trends,...
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Awake the note of war from The Enterprise; or love and pleasure

(:Unkn) Unknown
This recording is drawn from a program of arias and scenes researched and selected by the present writer and performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. All of the singers were Towson University students at the time. Performed from: Clifton, Arthur. The Enterprise [1822]. Reprinted in Three Centuries of American Music, vol. 5, American Opera and Music for the...
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"Love stole out of the sea at star-break," from Shanewis, the Robin Woman

Music From The Stage
This recording is drawn from a program of arias and scenes researched, annotated, and selected by Aaron Ziegel and performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. All of the singers were Towson University students at the time; accompanying duties were shared between John Wilson and Aaron Ziegel.
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"I dreamed that death," from Azora, the daughter of Montezuma

Music From The Stage
This recording is drawn from a program of arias and scenes researched, annotated, and selected by Aaron Ziegel and performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. All of the singers were Towson University students at the time; accompanying duties were shared between John Wilson and Aaron Ziegel.
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"Another weary day," from Narcissa; or, The Cost of Empire

Music From The Stage
This recording is drawn from a program of arias and scenes researched, annotated, and selected by Aaron Ziegel and performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. All of the singers were Towson University students at the time; accompanying duties were shared between John Wilson and Aaron Ziegel.
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"Almighty Father," from The Sacrifice

Music From The Stage
This recording is drawn from a program of arias and scenes researched and selected by Aaron Ziegel and performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. All of the singers were Towson University students at the time; accompanying duties were shared between John Wilson and Aaron Ziegel.
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"Nay, do not weep," from Rip Van Winkle

Music From The Stage
This recording is drawn from a program of arias and scenes researched and selected by Aaron Ziegel and performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. All of the singers were Towson University students at the time; accompanying duties were shared between John Wilson and Aaron Ziegel.
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"Awake the note of war," from The Enterprise; or, love and pleasure

Music From The Stage
This recording is drawn from a program of arias and scenes researched and selected by Aaron Ziegel and performed by Towson University’s “Music for the Stage” ensemble as part of a scholarly symposium entitled “Composing American Opera” held in February 2015. All of the singers were Towson University students at the time; accompanying duties were shared between John Wilson and Aaron Ziegel.
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Existential and Humanistic Psychology: A reflection and dialogue with Rolf Muuss

Claire Donnelly
This interview will include questions about a variety of themes that we've covered in our course so far, in existential and humanistic psychology, including freedom, authenticity, optimal experience, and issues associated with our awareness of mortality.
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Oral History Interview: Azhena Abraham

Lauren Wise
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Oral History Interview: Silvia Nuñez Fowler

Mary A. Lynch
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Oral History Interview: Adriana Busti-Carioti

Mohn IV, William T.
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Oral History Interview: Ok-hi Lee

Harrison Lee
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Oral History Interview: Regine Dunlap

Kevin Dunlap
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Oral History Interview: Asha Simon

Natalia De Gravelles
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Oral History Interview: Chak Beh

Kevin Duan
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Oral History Interview: Edwarda M. Buda-Okreglak

Bożenna Buda
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Oral History Interview: Roberto Colmenares

Rafael Arreaza-Tamayo
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Oral History Interview: Natalie Neighbors

Crystal E. Alexander
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Oral History Interview: Omowumi L. Akinwale

Ganiyat K. Ayodeji
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Oral History Interview: Manu Manohar

Nikhil Manohar
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Oral History Interview: Anastasiya Lyudkevich

Kayla Gibson
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Oral History Interview: Eleonora Sadikova

Mandy Stussman
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Oral History Interview: Natalia Siegel

Leah Singman
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Registration Year

  • 2017
    24

Resource Types

  • Sound
    24