British and French Approaches to the Representation of Vivaldi in Two Films: Stereotypes, Romanticism, and NovelizationXavier Bittar
This article shines a light on Antonio Vivaldi, the Italian baroque composer, and the way he is depicted in two fiction films: Vivaldi, un prince à Venise, a French film directed by Jean-Louis Guillermou released in 2007 and Vivaldi, The Red Priest, an English-Italian film released in 2009 in television format, directed by Liana Marabini. Both paint a picture of the musician based on a number of historical facts while taking liberties with other parts...
Chapitre 3 de: H. Martin & M. Roca i Escoda (dir.), Sexuer le corps. Huit études sur des pratiques médicales d'hier et d'aujourd'hui (pp. 51-67), Lausanne : Éditions HETSL.