4 Works

„TAK WŁAŚNIE ZNIKNIESZ” Teatr Gisèle Vienne

Katarzyna Tórz
The article presents various aspects of the work of the Franco‑Austrian director Gisèle Vienne, one of the most important artists of contemporary European theater in their forties. With originality, Vienne builds complex stage worlds that treat the text only as one of its elements and a separate authorial understanding defining realism. She creates performances combining elements of dramatic theatre, contemporary dance, work with objects – dolls and robots – and electronic music. The article reconstructs...

CAFFE CINO, CZYLI QUEEROWA AWANGARDA

Joanna Krakowska-Narożniak
When in December 1958 Joe Cino opened his place on a small side street of New York, he could not have imagined that, in a fifty‑square‑meter space, a radically new, alternative theater movement could be born, named “Off‑Off‑Broadway” almost immediately by journalists from The Village Voice. Even they, however, introducing a new section under this heading, could not have foreseen that Caffe Cino’s activity would become a turning point for queer performance and, to a...

Stowarzyszenie, szkoła, spółdzielnia – wielogłos Teatru Węgajty

Magdalena Hasiuk-Świerzbińska & Joanna Kocemba-Żebrowska
TThe text presents the process of transformation of the organizational structure of the Węgajty Theatre and the related reformation of the group dynamics and methods of creative work. In the group’s complex organizational history, the turning point was the loss of permanent institutional support in 2011. After twenty-five years of work under the auspices of various cultural institutions in Olsztyn, the Węgajty Theatre was forced to function as a non-governmental organization. The text shows the...

Registration Year

  • 2020
    4

Resource Types

  • Text
    4

Affiliations

  • Polish Academy of Sciences
    4
  • Baikal State University of Economics and Law
    1